In Pete Jordan's "Dishwasher" he explains that the two best days of work are the first day of work and the last day of work. Today I am giving my two week notice at the deli. It is a bittersweet moment, but I realize that I cannot work two kitchen jobs at once, along with teaching and making paintings for three upcoming shows. I keep shrugging off the shows, saying that they are not a very big deal because they are not in ideal spaces. This is of course faulty logic, as the shows are whatever I make of them and they will still be in spots that people go to to specifically look at art. Hence, they matter, and I have a lot of work to do for them.
Socially I have been living in a cascade of ups and downs. I don't understand the world outside the studio as well as I probably should. The Facebook, Twitter and texting spheres do not make it any easier traverse. As a result I have been trying to read more and forget about human interaction, as it happens without any effort. Extra thought on the subject of being social merely enhances my anxiety powers. Staying in studio and ignoring the social elements and their 21st century deluge is healthy for me. I am productive in my own constructed zone, uneasy in others.
I have been working heavily on the 248 piece marathon that I have planned for Zero Station. I need to spend some time working out the details of the animation that corresponds to the pieces, but at least the pieces are coming along. I have produced probably 12 in the last week, which is pretty good considering the show is a ways off and I haven't hit the groove for it yet.
Here are a couple shots of different assemblages that I have been working with today.
I will see if I can't get some more work up tomorrow. I am meeting a fellow about a DJ and visual art collaboration. It should be really cool. I'll let you know more about it when I know more about it.