I had measured out the work but hadn't accounted for how significantly the balance of the work would be thrown off by the colored block transitions. After I had pieced together the top row and Coltrane had gotten into full swing with one of his more elaborate solos in A Love Supreme, I realized that I was going to have to modify my plans. Fortunately Feed has chop and scrap wood out back and I was able to make a dozen more sets of French cleats, saving my installation. The walls in Feed were not catered to taking nails or screws so that was a bit frustrating. Additionally, the extra cleats required more drywall screws than I had packed, but once again Feed had a few extras kicking around. These drywall screws were far more difficult to work with, however. One set wouldn't work at all due to the stud behind the work. I eventually caved and used two pin nails to hold the last cleat in place and save the wall another hole. There is talk of improving the walls for hanging at the center and I think that that might be wise, but the folks that work there and the mission of the space are absolutely amazing. It's lovely to see such a center I a small Midwestern city.
It's a food start to 2015.